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And with the release of Volume 2 later in 2001, Florentine’s comic viciousness captured the attention of comedians Jimmy Kimmel and Adam Corolla, who were preparing their very own phone-harassment TV series for Comedy Central, albeit one in which the harassment was done by puppets. Lucky indeed, because after Howard Stern heard the CD and began playing snippets from it on The Howard Stern Radio Show, Terrorizing Telemarketers shot up to number two in sales at. So I was lucky to have nothing going on.”
You know, you gotta sit by your phone and wait for them to call. But you really have to have nothing going on during the day to pull that off.
So I would just wait for the phone to ring, and if it was telemarketers, I would just try to keep them on the phone as long as possible. “You know, I was doing stand-up at night and didn’t work a day job. “That was just a thing of being bored during the day,” says Florentine of the CD’s origin. Yet while he performed regularly throughout the decade, Florentine reached the first of his “next levels” in 2001 with the release of his comedy CD Terrorizing Telemarketers, a collection of recorded conversations that, true to its title, found him exacting comic revenge on those who hassled him at home. At least if I’m up on stage, I don’t have to work during the day.’” And when I did it the first time, I was like, ‘Aw, man, this is what I want to do. That’s when I really took a liking to stand-up. When I saw Dice, he was like a rock star up there. When he began his stand-up career in 1993, Florentine says he had been most influenced by the stylings of Richard Pryor, Rodney Dangerfield, and Andrew Dice Clay – “probably those three, and Kinison, too. But you eventually realize that’s fun for a while, but you gotta really take this stuff serious if you want to get some TV work or film – if you want to get to the next level.” “In the beginning,” he says, “it was all about, you know, getting on the road and meeting chicks and getting paid for something that I loved doing. I’m on the Louis side.”īut as Florentine says, he wasn’t, necessarily, during his years as a fledgling stand-up in New York City. And then there’s guys like Louis that really care about it. “There are some guys, like the guy I played, that are just out there making a living and don’t really care about the passion of it. “It all depends what you want out of it,” says Florentine, during our recent phone interview, about how one can approach a stand-up career.
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Yet while Florentine has also proved his acting chops on shows such as Californication and Inside Amy Schumer, and has certainly earned his comedic cred through stand-up sets, talk-show appearances, and his long series runs on Crank Yankers and That Metal Show, there may be a reason he’s so good on Louie’s season finale: As a professional comedian, he’s been both Kenny and Louie. Kenny was played, and played exceptionally well, by Jim Florentine, the headliner for June 1’s rare night of stand-up comedy at the Rock Island Brewing Company. It’s about being funny and having fun and being outrageous. “What happened is you tried to be good at it,” he told Louie. And I don’t know what happened.”Īnd Kenny sympathized. “You gotta give so much,” he said of their shared profession, “and it’s so hard. Yet toward the episode’s end, after a confrontation in which the comics admitted to hating each other, Louie and Kenny reached an unexpectedly touching stalemate when Louie broke down in sobs. At first, Kenny seemed awful: He drank whiskey in the morning he gave his barely legal chauffeur sexually explicit advice his stand-up set was rife with masturbation and fart jokes (which, to Louie’s mortification, positively killed).
On the final episode of the most recent season of FX’s comedy Louie, star Louis C.K.’s alter ego was performing stand-up in Oklahoma City, and forced to share a condo with his opening act, a hack comedian named Kenny.
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